Exhibitions Archive

 


2009

Shana Lutker, Anna Sew Hoy, and Brenna Youngblood: CB08, the California Biennial
October 29, 2008–March 1, 2009


CB08 intro signage

 

Outdoor art projection and local collaborations by photographer Zoe Strauss
April 2-9, 2009

zoe strauss photo

 

 

Toward Enlightenment: The Sacred Art of Tibet &
Universe of a Deity: A Tibetan Sand Mandala

April 1, 2009–June 14, 2009

tibet_avadana_tonka

 

Signs of His Times: Gary H. Brown's Works and Selected Gifts to the University Art Museum
April 1, 2009–June 14, 2009

gary brown painting


2008

 

Andy Warhol Presents
July 11 – Oct 7, 2007

aw drawing

 

Gritty Brits:  New London Architecture
Nov 1, 2007 – Jan 20, 2008

gritty brits model photograph

Isaac Julien:  Fantôme Afrique
Feb 28 – May 11, 2008

isaac julien film still

 

A Beautiful Nothing: The Architecture of Edward A. Killingsworth
July 16, 2008 to October 12, 2008

Killingsworth image

 

Vanishing Los Angeles: The Photography of Mary Bowling
July 16 – October 12, 2008

Mary Bowling photograph

 

 


2007

Crafting a Modern World: The Architecture and Design of Antonin and Noémi Raymond
Jan 17 – April 8 , 2007

rayomd studio photo

 

Sounds of the Silk Road
Jan 17 – April 8, 2007

photo silk road drum

 

Andy Warhol Presents
July 11 – Oct 7, 2007

warhol_installation

 

 


2006

Santiago Calatrava: The Architect’s Studio
Jan 11 - March 5, 2006

calatrava

Journey: Dan Eldon’s Images of War and Peace
April 5 - May 14, 2006

dan eldon

 

Mythic Visions: Yarn Paintings of a Huichol Shaman
Sept 27 - Dec 3, 2006

mythic images photo

 


 

2005

High Society: Psychedelic Dance Concert Posters, 1965 – 1971
From the Paul Prince Collection
September 28 – November 27, 2005

Lutah Maria Riggs drawing
select image for information and larger image

Over 125 colorful, vintage concert and dance posters from the 1960s, featuring such legendary bands as The Grateful Dead, The Doors, Jefferson Airplane, Jimi Hendrix, Janis Joplin, Quicksilver Messenger Service, and the Chambers Brothers.  The selection includes a large sampling of works by Victor Moscoso, Rick Griffin, Alton Kelley, Stanley Mouse, and Wes Wilson — graphic designers known as The Big Five of the “psychedelic era,” an important moment in the history of American graphic design.  It also includes rare, never-before-exhibited posters from Santa Barbara-area concerts held at the Earl Warren Showgrounds, Santa Barbara City College, and UC Santa Barbara.  In addition to the posters, a 20-minute documentary film entitled “Feed Your Head: The Psychedelic Era” — produced by Ravin' Films for the Rock and Roll Hall of Fame — will run continuously in the Thayer Gallery.  A fully illustrated 90-page catalog will be available for purchase.  These artworks, many of which have become iconic images of 1960s American culture, are from an extensive collection of rock concert posters owned by Santa Barbara designer Paul Prince.

'60s Gala
Saturday, October 1
5:30 - 10:00 p.m.

Open House
Thursday, October 6
5:00 - 7:00 p.m.

•Closed MONDAY/Open FOR LUNCH with collector Paul Prince
Monday, October 17, 11:30 a.m. – 1:00 p.m. 

Artists Panel: “The Listening Eye: 40 Years of Psychedelic Art” with poster designers Victor Moscoso, Stanley Mouse, and Wes Wilson
Thursday, November 17, 3:00 - 5:00 p.m.
McCune Conference Room, HSSB, 6th floor
Gallery Walkthrough at the UAM with the artists immediately afterwards
5:00 - 6:00 p.m.

Film Series: “Up Against The Wall: Screening the ’60s” six evenings of screened films on ’60s counter-culture.
Wednesdays, October 12 - November 16, 5:00 - 7:00 p.m., at the UAM.

Wednesday, November 2, 5:00 - 7:00 p.m.
Multi-Media Lecture: “Un-Imaging Utopia: Reframing the ’60s,” UCSB Professor Dick Hebdige, Director, Interdisciplinary Humanities Center (IHC).

 

 

The Black Panthers 1968
September 28 – November 27, 2005

 

select image for information and larger image

A landmark photographic essay by Ruth-Marion Baruch and Pirkle Jones — who for over 40 years chronicled the people, politics, and landscape of Northern California — and in the process captured the most important American social movements of the second half of the 20th century.  Colleagues of Edward Weston, Ansel Adams, and Dorothea Lange, they the pair gained unprecedented exposure to rallies, meetings, and individuals — including iconic leaders Eldridge and Kathleen Cleaver, Stokely Carmichael, Huey Newton, and Bobby Seale — and insightfully documented the early days of the Black Panther Party and this significant moment in Bay Area history.  The resulting portraits stand in radical contrast to mass media images of the time depicting the Black Panthers as thugs, criminals or dangerous subversives. Gifted photographers with a socio-documentary vision, Baruch and Jones’ images are characterized by sensitivity and acute observation, revealing a personal, nuanced understanding of the Black Panthers and their organization.  The complete series was published in book form in 2002 by Greybull Press, and some of these photographs also appeared in Jones’ seminal book California Photographs, published in 2001 by Aperture in celebration of its 50th anniversary.  Exhibition organized by Ruth-Marion Baruch and Pirkle Jones.

 

Opening Reception: Thursday, October 6, 5:00 – 7:00 p.m.

Gallery Talk at the UAM: Monday, October 24, 2:00 – 3:00 p.m.
Pirkle Jones and Kathleen Cleaver, J.D.

Lecture: Tuesday, October 25, 3:30 – 5:00 p.m.
“Looking Back,” Kathleen Cleaver, J.D.
Santa Barbara Museum of Art. 
Free for UCSB students and faculty and SBMA members; $5 others.

Lecture and Reception: Professor Angela Davis "The Legacy of the Black Panthers.", UC Santa Cruz; UCSB’s Corwin Pavilion, Tuesday, November 1, 4:00 - 6:00 p.m.

Film Series: “Up Against The Wall: Screening the ’60s” six evenings of screened films on ’60s counter-culture.
Wednesdays, October 12 - November 16, 5:00 - 7:00 p.m., at the UAM.

Lecture: Thursday, November 17, 12:00 – 1:00 p.m.
“Locating Asian Americans in the Black Panther Party,” UCSB Associate Professor Diane Fujino.

Events with Kathleen Cleaver are co-sponsored by the UAM, the Santa Barbara Museum of Art, and the Interdisciplinary Humanities Center (IHC).  The Angela Davis event is co-sponsored by the UAM and the IHC.

Isabelle Greene: Shaping Place in the Landscape
March 30 - May 15, 2005

Isabelle Greene
select image for information and larger image

"Shaping Place in the Landscape" will explore the work and design philosophy of nationally acclaimed Santa Barbara-based landscape architect, Isabelle Greene, FASLA (Fellow of the American Society of Landscape Architects), principal of the Santa Barbara-based design firm Isabelle Greene & Associates, through selected projects from her 40-year career, capturing the artistry of her compositions with photographs, landscape plans, sketches, models, a video, and a unique “dry-scape” installation created by Greene in the Nachman Gallery of the UAM.

This will be the first major exploration of Isabelle Greene's career and methodology. Her pioneering design work has, since the mid-1960s, helped focus attention on the need for environmentally sensitive and sustainable design. The exhibitions and their related programs are planned to coincide with National Landscape Architecture Week - held every year in mid-April - which annually draws visitors from across the country to Southern California and Santa Barbara.

Greene has designed more than 520 residence and public gardens and landscapes in Santa Barbara County, as well as others across the country -- in Pennsylvania, Florida, Alabama, Nevada -- and elsewhere in California: Sacramento, San Clemente, Malibu, Pasadena, and Anaheim. Her public landscaping and garden designs include the Skirball Cultural Center in Los Angeles and Longwood Gardens in Kennett Square, Pennsylvania.

The University Art Museum's exhibition will examine more than 10 of her most significant landscapes by displaying a variety of materials from Greene's design archives, including sketches, drawings, photographs, and art work. To help give visitors a sense of the richness of her landscapes, the exhibition also features a video exploration of the Lovelace garden, one of Greene's most intricate and longstanding local designs. The video includes audio interviews with Greene describing various aspects of the garden's design.

The dry-scape installation, created especially for the exhibition, will be a living, site-appropriate example of Greene's landscape artistry and design.

Isabelle Greene's gardens have been featured in such publications as House Beautiful, House and Garden, Horticulture, Martha Stewart Living, Landscape Architecture, Contemporary Gardens, L.A. Times magazine, San Francisco Chronicle, and in such books as Gardens of Santa Barbara, The Mediterranean Garden, Sunset Books, The New American Garden, The Essential Garden Book, Ganna Walska Lotusland, and A Child's Garden--Enchanting Outdoor Spaces for Children and Parents.

At a complementary exhibition, the Santa Barbara Museum of Art (SBMA)'s "Ines Roberts: Interpreting Isabelle Greene's Landscapes" (February 12 - May 15) features 160 newly commissioned color images by noted photographer Ines E. Roberts of five of Greene's local gardens in a specially projected moving installation.

Additional Exhibition Events and Programming:

Opening Reception
Saturday, April 2, 5-7 p.m.
University Art Museum, UC Santa Barbara

Closed MONDAY/Open FOR LUNCH with Isabelle Greene
Monday April 11, 11:30 a.m ñ 1:00 p.m.
University Art Museum, UC Santa Barbara

Lecture by Ines Roberts: "Exploring Isabelle Greene's Gardens"
Thursday April 21, 5:00 p.m.
University Art Museum, UC Santa Barbara

Conversation with Isabelle Greene and Professor David Streatfield,
Landscape Historian, University of Washington, Seattle, WA
Tuesday April 26, 6:00 p.m.
University Art Museum, UC Santa Barbara

Tour: The Gardens of Isabelle Greene
Saturday April 30
The Santa Barbara Museum of Art will sponsor a special ticketed tour with Isabelle Greene through four of her Santa Barbara gardens. For information and reservations, please call Liane Duffy, SBMA Events Manager, at (805) 884-6426.

Symposium: "Santa Barbara Landscapes: Natural, Historical, or Cultural?"
Saturday May 14, 10:00 a.m. - 4:30 p.m., HSSB Room 1174, UC Santa Barbara
Organized by Professor Volker Welter, Department of History of Art & Architecture, and supported by the College of Letters & Science and the Division of Humanities & Fine Arts, UCSB.

"Out of Site - Selections from the Marsha S. Glazer Collection."
January 5- February 27, 2005

Pollock painting Picasso painting
select image for information and larger image

Click here to download a PDF of the gallery guide booklet of artwork images and descriptions from the "Out of Site" exhibition.

Recognized as among the nation’s top twenty-five private collections, the Marsha Glazer Collection consists of monumental paintings and sculptures by artists who are recognized for revolutionizing and redefining the art of our time. Never before has this selection of work from the Glazer Collection been publicly exhibited in a museum, nor will it travel to other venues.  Out of Site provided a rare opportunity to view significant contemporary works that exemplify the achievements of the most revered modern and contemporary artists.

Included in the exhibition were European paintings and sculptures by Pablo Picasso, Alberto Giacometti, Jean Dubuffet, Henry Moore, and Kurt Schwitters will be shown alongside major canvases by first generation New York School artists — who established New York as the Post World War II cultural capital — Arshile Gorky, Willem de Kooning, Jackson Pollack, Lee Krasner, Jasper Johns, Helen Frankenthaler, Roy Lichtenstein, and Robert Rauschenberg. The exhibition also includes paintings and sculpture by popular favorites such as Louise Bourgeois, John Chamberlain, Richard Diebenkorn, Janet Fish, David Hockney, Joan Mitchell, Malcolm Morley, Claes Oldenburg, Robert Rauschenberg, Gerhard Richter, David Smith, and Wayne Thiebaud.

The University Art Museum extends a special thanks to the generosity of Marsha Glazer and the Glazer family for sharing her magnificent collection with the University Art Museum’ s audience.

Special programs offered in conjunction with the Out of Site exhibition:

Exhibition Reception
Saturday, January 15, 6:00-8:00 p.m.

Thursday, January 20, 5:00 p.m.
Gallery talk - The Politics of Gender:  Pollock and Krasner, Rauschenberg and Johns with UAM Director and Adjunct Professor of the History of Art and Architecture, Bonnie Kelm.

Monday, January 31, 11:30 a.m.-1:00 p.m.
Closed MONDAY/Open FOR LUNCH with Collector, Marsha S. Glazer; Assistant Professor of History of Art and Architecture, Laurie Monahan and UAM Chief Curator, Chris Scoates. 

Wednesday, February 9, 5:00 p.m.
Isla Vista Theater (960 Embarcadero del Norte at Trigo Rd.)
Art Symposium - Lecture on the Glazer Collection with Gerard Haggerty, Artist, Writer, Critic, and Co-Director, MFA Program, Brooklyn College, CUNY.
Co-sponsored by the Department of Art and the College of Creative Studies.

"3 on 3" An Idee Levitan Endowed Lecture Series organized by UCSB's Interdisciplinary Humanities Center: Three prominent art scholars, Thomas Crow, Cecile Whiting, and David Hickey will give separate talks based on three works selected by each critic from the show. Members of the audience are encouraged to view the exhibition prior to the talks, which will take place 5:00-6:30 p.m. on the following dates:

Thursday, February 10.: Thomas Crow, former Chair of the Dept. of Art History at Yale University, currently Director of the Getty Research Institute. McCune Conference Room, 6th floor, Humanities & Social Science Building, UC Santa Barbara.

Wednesday, February 16.: Cecile Whiting, Professor of Art History & Visual Studies at UC Irvine. Isla Vista Theater, 960 Embarcadero del Norte at Trigo Road, Isla Vista, Santa Barbara.

Wednesday, February 23: David Hickey, recent recipient of a MacArthur Fellowship, Professor of Art Theory & Criticism at the University of Nevada, LV. Isla Vista Theater, 960 Embarcadero del Norte at Trigo Road, Isla Vista, Santa Barbara.


2004

Behind Door 9: 20 Years Atelier Richard Tullis in Santa Barbara
July 7 – August 28, 2004

Kaneda print Tullis workshop Chen print Tullis shop
select image for information and larger image

The University Art Museum, UCSB is organizing a twenty-year survey of works by Atelier Richard Tullis, one of the worlds leading fine arts publishers that specialize in works on paper. The exhibition Behind Door #9: Twenty Years of Atelier Richard Tullis in Santa Barbara will consist of over fifty works Tullis has made in collaboration with many of the worlds master printmakers including: Sam Francis, Charles Arnoldi, Roger Herman, Italo Scanga, and Sean Scully among many others.

George Rickey: A Tribute
June 2- August 28, 2004
Sunday, June 6, 4:00-6:00 pm, OPENING CELEBRATION – George Rickey Day


George Rickey, American, 1907-2002
Annular Eclipse, VI, 2000
stainless steel
14'4" h. x 8'8" dia.
Gift of the artist, 2000

A tribute to one of America’s most beloved sculptors, this exhibition will feature intimate works and models from the UAM’s collection as well as regional collectors. Rickey was in his 50s when he discovered the artistic mode that would bring him widespread recognition: tall stainless-steel sculptures with parts designed to be moved by wind currents.

George Rickey first came to Santa Barbara to teach at UCSB in the Summer School program; throughout the 60s he and his family spent their summers here. In the mid 1980s his family began spending winters in Hope Ranch, and in 1986, he established a studio in Santa Barbara. Area collectors and museums have benefited from his friendship and productivity in Santa Barbara. The UAM was the recipient of a gift from the artist in 2000 of Annular Eclipse VI, which is permanently installed adjacent to the Museum. We honor the late George Rickey with a tribute exhibition on what would be his 97th birthday.

Wonderlands: Theme Parks, Fairs and Urban Visions From the Smith & Williams Architectural Archives
June 2 - August 28, 2004
Tuesday, June 1, 5:00–8:00 pm, OPENING CELEBRATION

Smith and Williams drawing of floating gardens
select image for information and larger image

Wonderlands examines works from the Pasadena based architectural firm of Smith and Williams (active 1946-1973), whose work focused on the social importance of recreation as an significant part of environmental planning and community living.
Drawings, photographs and plans from the Architecture and Design Collection (ADC) illuminate the firm’s work on theme parks, fairs, recreation centers, and community planning which shifts the center of life away from the work place and promotes the psychological and physical development of individuals and communities.

Curated by Mahlon W.L. Chute, Graduate Curatorial Intern


2003

 

Aesthetics of Hygiene


 

LOT/EK


2002

 

WOMEN beyond borders


 

Vitamin P: New Work by Jane Callister


An Everyday Modern: L.A. Designs by Sam Reisbord


2001

 

Weber drawing for rumpus room

Paul Tuttle Design


2000

 

Weber drawing for rumpus room

Designing the Moderne:
Kem Weber's Bixby House


 

Lungren painting

Afterglow in the Desert:
The Art of Fernand Lungren


1999

 

Installation detail, Malachi Farrell

Site Work 5:
Global Motion: France as an International Art World

Malachi Farrell, Glassbox, Chen Zhen


 

MassTrans Art bus on location

Site Work 3:
The University Art Museum on Wheels;
Mass TransArt: A Moveable Feast


1998

photo: beach installation

Site Work 2: Nature; Works by Min-Yi Lin


photo: beach installation

Site Work 1: Construction Site

 


1997


Peter Garfield photograph thumbnial

The Lie of the Land



Alice Neel painting thumbnail

Kinships: Alice Neel Looks at the Family



Baule male and female figures thumbnail

The Self and the Other: Personhood and Images among the Baule, Côte d'Ivoire



Mamy Wata shrine thumbnail

A Shrine to Mamy Wata



16 Songs animation

16 songs:issues of personal assessment and indigenous renewal<>



Kenji Yanobe: Survival System Train and Other Sculpture

 


1996

Lari Pittman drawing thumbnail

Lari Pittman Drawings



Todd Gray photograph thumbnail

Stream of Consciousness: 8 Los Angeles Artists



Schindler chair thumbnail

The Furniture of R. M. Schindler

 


1995

Reginald Marsh print

Representing America: The Ken Trevey Collection of American Realist Prints

1995

Ceramic Gestures: New Vessels by Magdalene Odundo



Netsuke detail thumbnail image

Picturing Poetry: Four Exhibitions in the Japanese Tradition



Rene Stout sculpture thumbnail

"Dear Robert, I'll See You at the Crossroads"
A Project by Renée Stout



1994

Kiki Smith installation view

Kiki Smith


The University Art Museum

University of California at Santa Barbara

Museum Home Page