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UPCOMING EXHIBITIONS


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Carefree California: Cliff May and the Romance of the Ranch

February 26, 2012-June 17, 2012


You need no memory of the past to enjoy this modernization of an old form.
-Cliff May 1946

Carefree California explores the phenomenal rise of the ranch house, casual living, and the western mystique, as promoted by Cliff May, the designer of thousands of modern California ranch houses. The exhibition will concentrate on the modernization of the ranch tradition and its transition from a low-slung luxury recollection of historic adobe, brick, tile, and stucco, to the modest wood and glass tract house of the forties, to the near-minimal system-built ranches May designed and sold in the late 1950s. Through drawings, models, sales pamphlets, photographs, site plans, publications, film and television clips and stills, building toys, and popular magazines, the exhibition will address the opening up of the plan, the emphasis on patio and glass corridor to suggest additional space, and the integration of house and garden. It will also explore wartime industry, post-war in-migration, and the federal subsistence and military building programs that set many of the material terms and language for postwar tracts and for May's ubiquitous Californian solution that helped create an important regional identity. Works from other key architects and designers of the period will also be featured.

Carefree California is part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California, coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a major new force in the art world. Pacific Standard Time is sponsored by the J. Paul Getty Trust.

2010 Grad Exhibition Post Card

Cliff May with O. U. Miracle
Cliff May House, San Diego, CA 1932
Plan and Aerial Perspective.
Graphite, and colored pencil on tracing paper.
Rendering by Starling Watson
Architecture and Design Collection
University Art Museum, UC Santa Barbara


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The Stumbling Present: Ruins in Contemporary Art

September 2012- December 2012

The Stumbling Present: Ruins in Contemporary Art features an international roster of artists who use the imagery of neglected or willfully destroyed places and objects to address socio-political concerns and the failure of utopian ideals. For many of these artists ruins register as symbols of loss but also as sites of possibility upon which they can impose their own potent narratives. The included films, paintings, photographs, sculptures, and videos are part of the long trajectory of ruins in art as signifiers of transience but they also reveal pressing concerns affecting contemporary artists and the state of our world today.

This exhibition is supported by an Andy Warhol Foundation Research Fellowship.

 


 

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